畢業(yè)論文：身覺的“零度敘事”與不自覺的“情感退場”試述先鋒作家敘事策略后的主體情感 - 語言文學(xué)畢業(yè)論文

摘  要：先鋒小說的實(shí)驗(yàn)性，很大程度上源于作品形式的大膽創(chuàng)新，如敘述視角的切換、意象的疊加、重復(fù)手法的運(yùn)用等等。不過有不少的先鋒作家在敘事技巧日臻熟稔的同時(shí)，放棄了對(duì)自己情感主張和精神內(nèi)涵的表達(dá)。本文就試圖從先鋒小說的敘事策略、淵源影響及受眾心理出發(fā)，探索先鋒小說敘事形式與作家精神內(nèi)核之間的協(xié)調(diào)與矛盾。

關(guān)鍵字：先鋒作家    敘事    情感

Abstract: The experiment of pioneers novel, the ones that came from form of the works were bold in blazing new trails to a great extent, such as narrating application of superposing , repeating the tactics of switching over , image of the visual angle, etc.. Have many pioneer writer in while being day by day familiar to narrate skill, expression of giving up advocating to ones own emotion and spiritual intension. This text attempts to proceed from the narration tactics, origin of pioneers novel are influenced and audiences psychology, explore coordination and contradiction that pioneers novel narrates between the spiritual kernels of form and writer.

Key words:  the pioneer is a writer   narrate   emotion

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